In The City:
In The City,
Iguanas tether bottles
for country
and sugar,
and coffee,
and land,
the trees,
the road,
the beach,
the salt,
the sea.
On every street, dead dogs.
The less traveled road boasts a fungal cactus. Water circulates a parish concerned with the expansion of bodega lightning rods. Remember the turn of the century, when possible, the trust thus made from death footage whose lore sparked Americana. So long for respite, bled dry from rafters: a cause such conquerors made by birth, though some are, all of us, left to ride a wheel in collapse.
Movement is as much a burden
as tradition is. There isn’t more than a
loping animal who lopes with three legs
and shits on the tarmac.
Smoke Pall Malls.
In as much the turning smelt a grocery list,
there are plenty of ways to learn to limp again.
If knees scab, a microwave can do
twice processed open-heart surgeries—
a vein from the shin put on the heart.
Singing soon filled the house. Toothpaste ran bone dry. Javelinas roamed saguaros, poisonous spiders crawled along the bathroom floors, and feral dogs raided trash, their bodies soon mangled by brambles and traffic. From the singing gives way to big talk of past-due corndogs every night when the lights run low
and the windows are blotted
and the drinks are tapped.
I walked through town wearing sweatpants and a robe, whispered about tax liens, property accruement, wool, glass, steel, wood—made it to the foreclosed house and day dreamt about what I’d do if I could buy a house and if I were handier, renovations I’d make: apt shelving, maybe a cabinet in the bathroom where we could put hand towels once we start using hand towels. Another year and these walks will bore me. I’ll stop them and regret what hobbies I could’ve started if I hadn’t tired myself by walking.
The singing voice is pathetic Concrete makes a house
and squeaks With old bills of concrete.
and is built Men asleep in a tent atop concrete is a spectacle
with suppositions in blooming light. They say concrete is a celebration.
hence wind and The meadowland impaled by concrete pillars
a glossary in liters. to hold a concrete bridge above flowing brown water
Earth was replaced with gunk, the trees reach from speaks,
descendant of beetle shell, If I’m to be concrete, I will grow
and concrete is in mating season. flesh around myself so no one knows I’m concrete.
The plants in the neighborhood unfurl wet disgusting petals smushed in raw earth. Blue eggshells are on the ground more and if you’re looking you can see the little baby bird bodies who couldn’t fly smeared on the sidewalk.
I remember a few weeks ago there was a robin’s egg with the shell top cracked off and a bulb of yolk at the bottom. The longer I looked at the yolk bulb the hungrier I got and wondered if I could eat the egg yolk and not get sick. I knew there was an easy way to find out.
Anoint the self
using a jagged tooth
amidst the kind of bender that ruins
a family for an entire generation.
We could be bled dry from rafters, bop in plumed, concussive night. No longer here do we see our mothers’ torrid teeth smoked black at the site of the century’s major turn—a shot soon where children pose (imagined in smiles, the blood of the street) and wade their water pumped thousands from The Source. Hounded they are by the walk. Hundreds of corners, the sound of breath, copper curbs, longitude forthwith in growing, homeopathic boils.
Spotting the crowd, two staff whiff old warehouse smell—dust, obsolete machinery, damp cardboard. A rig hiss brings about the discontinued hard drive cabinet. Simple work for eleven an hour: lift, point, shoot, scan, wrap, move. The beeping headache. The first nice day with the allergies on. I’ve taken my temperature three times. Back home I clean off pubes coated on the toilet.
Myopic efforts differentiate
form. How about one
blood oath to be collected?
Dredge sauce dishes,
call for brutes along curd ridges
and sing away maladies for which
another quantity is longed
except it’s a melted condom beneath your nose
and that’s saying what there is about
the lust of Sunday downtime
when all the chores are done.
Work remains to validate the experience of marketing’s misdirection, which is on par with letting go of moisture and, instead, sees to the sockets in the industrial park. The old couch provides a quality of sleep lacking a spiritual agreement while a historic building in historic registry encapsulates its historic withering tumult on straw.
I continued my day of lifting and walking. The watchtower slinks off one map to get pain right—fan above bolts upon the prairie, my window shattered by a dog’s tooth.
And then a father dies on the coast
where lolls telephone poles.
In Loiza, where he died and all his kids met for the first time,
a horse from San Lorenzo galloped.
They all said he loved concrete.
Concrete claims wanted space.
Concrete highways slice paths
like a sword made of concrete.
Concrete becomes an
animal in the dark
and concrete, porous, absorbs spilled piss and lead paint.
Slabs crumble and concrete needs tar sometimes to feel stuck.
Buildings are concrete.
Pillars are concrete.
Highways, concrete.
This smell of concrete
is the blood in concrete,
the stale concrete water,
strays in rain, holds, cracks in time, fixed with concrete.
Imagine being buried in this ground and then drowned in concrete.
That’s what they’ll say about me.
I feel frail meat wrapped around my knee.
I see plaque illuminating
our great couch, our billboards, our sayings.
**
CHRISTOPHER AYALA is a writer from Massachusetts.




